Robert Redford

                                                             Part 3

Here’s another good bunch of Robert Redford movies. 

    As the title character in The Great Waldo Pepper (1975) Robert Redford plays a daredevil pilot from the early days of airplanes. He is so disappointed about not flying in combat during World War I that he seems to think of lots of ways to risk his life in a plane. The flying sequences are really good and Redford is good as a man seemingly determined to risk everything every time he gets into the cockpit. There are lots of near misses until there is one too many. 

Three Days Of The Condor (1975) features Redford as Condor, a rather bookish CIA operative. He doesn’t realize his section is destined for taking out. When he returns from lunch everyone else is dead. This then becomes one of the best of the films about CIA operatives becoming the target instead of the instigator. Condor endures the twists and turns of the story as various thugs try to end his employment permanently. He plans to survive by having his story printed in the New York Times. 

All The President’s Men (1976) is the true story about how the Washington Post brought down the Nixon presidency. Robert Redford portrays Bob Woodward and Dustin Hoffman is Carl Bernstein. Assigned by editor Ben Bradlee (Oscar winner Jason Robards) to work together, they are reluctant partners who come to trust and play off each other. They push and push to get the story right and get it out. The rest, as they say, is history! And I must say here that Watergate is pretty mild stuff to what we’ve witnessed recently. 

Brubaker (1980) is based on the true story of a prison scandal in Arkansas. Robert Redford portrays a reformist warden who is determined to reform the prison. He has discovered unmarked graves of prisoners, graft everywhere, torturing of recalcitrant prisoners, and other horrors. He is met with a crooked prison board and many contractors and vendors who have cheated the prison and pocketed the difference. Yep, it’s a Hollywood movie but don’t look for a happy ending here. 

The Natural (1984) is a baseball fairy tale. Robert Redford portrays Roy Hobbs, a baseball super star whose past is a mystery but whose ability is legend. His career is sidelined when he is shot by a deranged fan, and he doesn’t get to the major leagues until he is 35. He lands with the Knights, a perennial last place loser. Riding his fantastic hitting ability with his personal bat Wonderboy,  the Knights surge toward the top and wind up in a one-game playoff for the pennant against the Pirates. Roy endures several attempts to have him throw the game in exchange for lots of money, but he refuses. Roy spots his true love Iris (Glenn Close) in the stands and in the bottom of the ninth hits a monstrous home run that knocks out one of the lights standards and wins the game and the pennant. 

    All of the films in this article are for adults. 

                                                          Robert Redford

                                                             Part 2

Moving along chronologically, here is another handful of excellent movies starring the one and only Robert Redford.

Jeremiah Johnson (1972) is, as they say, based on a true story. Robert Redford is the title character, a legendary mountain man. Johnson has many adventures and many encounters with the Indians in the area. Some help him, some hate him. He reluctantly leaves his wife and son alone in their cabin to guide a US Army troop to their desired location. But when he returns he discovers his entire family has been killed by the Crows.  He goes after them with a vengeance. 

The Candidate (1972) is a cautionary tale for our time. Robert Redford is the candidate of the title, Bill McKay. A very popular California Repblican senator is up for re-election and probably unbeatable. The pols rope in charismatic, attractive McKay, telling him since he will lose, he can say anything he wants. He does. But the polls are terrible and he is convinced to change tactics. He ekes out a win he doesn’t really want and asks his handlers “What do we do now?” Indeed. There are lots of Bill McKays around filling up space as governors, senators and assorted ne’er-do-wells. 

The Way We Were (1973) pairs Redford with Barbra Streisand. He is an apolitical WASP and she is a cause-oriented Jew. This unlikely couple falls in and out of love several times. When they’re together it’s just so romantic you want to eat them up. But there are ruptures and sadly they part for good. This was a hugely successful film and the song from the title hit number one on the Billboard chart. 

The Sting (1973) reunites the happy warriors Robert Redford and Paul Newman. They are consummate con men and together they decide to take down racketeer Doyle Lonnegan by means of an incredibly complicated sting. It involves setting up a dummy horse racing betting parlor and getting Lonnegan to believe that it is real and he is about to get rich. Robert Shaw as Lonnegan is wonderfully unlikeable and you can’t wait for him to be victimized. Warning: You have to stay with this movie- the plot is dense and sometimes difficult to follow. This film won 10 Oscars including Best Movie and Best Director. 

The Great Gatsby (1974) is the third of four movie renditions of the F. Scott Fitzgerald novel. Guess what: None of them are very good. Robert Redford is just fine as Gatsby in this one and Mia Farrow is good as the ephemeral Daisy. Her laugh “sounded like money”.  I guess blame the screenplay, but it’s still watchable for the beautiful people and the scenic locations. The 2013 version with Leonardo DiCaprio as Gatsby isn’t much better. Scott Fitzgerald perfectly caught a certain group of Americans in the 20's. Unfortunately, the movies cant’ seem to follow suit. 

All of the movies in this article are for adults. 

                                                 Robert Redford, Actor

He was a fine, fine actor. I’ve noted about 25 really good movies with Redford as the primary actor. Where to even start? How about at the start!

    Redford’s first appearance of note is opposite Jane Fonda in Neil Simon’s Barefoot In The Park (1967). They are the classic oil and water couple: Corey (Fonda) is a free spirit while Paul (Redford) is a buttoned-down straight arrow lawyer. Their adventures in their terrible fifth floor apartment provide plenty of fodder for Simon’s witty dialog. Their unlikely neighbors provide lots of laughs. The title comes from Paul’s refusal to go barefoot in the park with Corey because it was too cold. Well, as someone has said, all’s well that end’s well. 

    Mr. Movie is often asked to tell his number one all-time best movie. He unhesitatingly says Butch Cassidy and the Sundance Kid (1969). It has everything! Redford is paired with Paul Newman as the irrepressible Butch. Katherine Ross is just right as Sundance’s love. These outlaws lead the Hole In The Wall gang through many misadventures, including a memorable train robbery. The edge of the cliff scene where they’re cornered by a posse is justly famous. And who could forget the pair’s attempt to rob banks in Bolivia, though neither speaks Spanish. And it’s just one of the many delights! Alas, the film won only four “minor” Oscars. Another robbery!

    In Downhill Racer (1969) Redford is cast as David Chappellett, a selfish, arrogant athlete who cares only for himself. The iconic Gene Hackman is on board as the Olympic Men’s Ski Coach. He puts up with Chappellett’s attitude because he is the best skier on the team. Redford does a quite creditable job as the skier, and makes you dislike him just like his teammates do. When he wins the Olympic Gold, you’re really not that happy. This is not Miracle on Ice on skis. 

    Tell Them Willie Boy Is Here (1969) stars Robert Blake as Willie, a Native American on the run after killing his girlfriend’s father in self defense. His major pursuer is Cooper (Robert Redford), a Deputy Sheriff. The chase seems unequal since Cooper has a horse and Willie doesn’t. But the crafty Indian manages to avoid capture for nearly the whole movie. Willie is finally killed by Cooper, who delivers him to his people to be cremated the Indian way. Criticized for not turning over his corpse so that the curious can see him, Cooper responds “Tell them we’re out of souvenirs”.

    In The Hot Rock (1972) Redford plays Dortmunder, the ne’er do well criminal anti-hero of many Donald Westlake novels. He is recently released from yet another prison sentence. The title is from the big diamond Dortmunder wants to steal, and he gathers some of his shady cronies to help him. The diamond proves to be as elusive as it is valuable, and the chase to cadge it is filled with laughs. George Segal, Zero Mostel and Paul Sand are the nefarious crew recruited by Dortmunder. 

    All of the movies in this article are for grown-ups.

                                           ROBERT REDFORD, DIRECTOR

Robert Redford left this old world at 89,  having left behind a storied career as an actor, director and the developer of the Sundance Film Festival. It seems unbelievable now, but back in 1980 there were mostly doubters about Redford’s ability to direct. There were many catcalls when the “too pretty” Redford was selected to direct Judith Guest’s Ordinary People. 

Ordinary People (1980) is top ten stuff, a wonderful film. Donald Sutherland, Mary Tyler Moore, Timothy Hutton and Judd Hirsch lead a stellar cast in the story of a family’s desolate tragedy.  Redford won the Oscar for Best Director for this superb first effort, forever squelching any idea he was just another pretty face. And the movie won for Best Picture.  Timothy Hutton won the acting Oscar as Conrad, tormented by his inability to save his older brother in a sailing accident.  Donald Sutherland as the father and Judd Hirsch as the psychologist are also excellent. But it is Mary Tyler Moore who floors us, plucked by Redford from her outstanding career as a TV comedy actor, and  just totally good as the mother in denial. 

Quiz Show (1994) is a quirky microcosm of a society that puts too much value on money and success and not enough on what matters. John Turturro as a sore-loser whistle-blower and Ralph Fiennes as the fallen saint, Charles Van Doren, lead a fine cast and  Redford gets the most from them.  Redford was again nominated for Best Director but lost out to Robert Zemeckis for Forrest Gump.  

A River Runs Through It (1992) is  Redford’s faithful and winning adaptation of the Norman Maclean novella, and introduced the charismatic Brad Pitt as one of two disparate brothers whose only real tie is now their minister-father (Tom Skerritt) and fly-fishing. The gorgeous cinematography of the Montana countryside garnered an Oscar.

The Milagro Beanfield War (1988) involves a group of dirt-poor New Mexican farmers refusing to bow down to a brutish and powerful developer. The ensemble cast of mostly Hispanic actors is quite good, and  Redford develops a tone that is so winning and enjoyable we are swept along. And once again there is gorgeous photography, a Redford trademark.

Robert. Redford took a turn at directing himself in the offbeat The Horse Whisperer (1997) based on Nicholas Evans’ story of a traumatized young girl and a cowboy who heals damaged horses. The love interest is Kirstin Scott Thomas, who is excellent, as are Chris Cooper and Diane Wiest as the brother and sister-in-law.  Two Redford specialties are readily apparent here: beautiful scenery and absolute fidelity to the story on which the film is based. 

The Legend of Bagger Vance (2000), is a well-intentioned misfire. It is worth a look for the performances of Will Smith and Matt Damon and the beautiful photographyThe story involves a golf tournament funded by a wealthy woman. Smith is the mysterious Bagger Vance who suddenly shows up to caddy for the underdog local, played by Matt Damon. But it is easily the least of Mr. Redford’s directorial efforts.

All of these films are suitable for children 12 and up.