CHADWICK BOSEMAN

At last Black people had a super hero of their own. Chadwick Boseman, who died way too young at 43,  burst into stardom with three appearances as the Black Panther. Beginning with Captain America: Civil War (2016) where he was a trusted ally of the title hero, and continuing into a couple of Avengers outings in 2018 and 2019 Boseman was everything a hero should be.

But his real coming out party was the earlier Black Panther (2018) in which he brought T’Challa to full iconism. This film, though modeled on the super hero flicks about White people, makes its own path. T’Challa becomes ruler of Wakanda on the death of his father and strives to keep to the successful path his forbears forged. He is challenged by cousin N’Jadaka (Michael B. Jordan) who wants Wakanda to expand its outreach and become a world power. They battle to determine who will be king. The film was nominated as Best Picture, and though it lost to The Shape Of Water,  it still garnered three production Oscars. A sequel is in the works but obviously won’t feature Boseman.

But it’s not as if that is the limit of Boseman’s resume`. He had a sterling run-up to the Black Panther films. These began in 2013 when Boseman appeared in 42 as Jackie Robinson, who integrated baseball in 1947. He encountered discrimination and outright hatred, but he was such a great player he endured. And not only is he in the Hall of Fame but his number is worn by every single major league player on April 15 (August 28 this year). It’s not an easy role, but Boseman is superb as Jackie. 

The very next year Chadwick Boseman played The Godfather of Soul, James Brown, in Get On Up. Boseman rose to the challenge of doing his own dancing and singing much to the delight of even hard core James Brown fans.

Boseman’s third portrayal of an African-American hero came in 2017 when he nailed the title role in Marshall. Thurgood Marshall was a terrific lawyer and became the first Black justice of the Supreme Court of the United States. The film dwells mostly with Marhsall’s early career as a civil rights attorney and in particular with his defense of Joseph Spell, an African-American accused of rape in Connecticut. Forbidden by the White judge to speak, Marshall has to guide his co-counsel by notes and whispered instructions. 

Spike Lee’s Da 5 Bloods (2020) features Chadwick Boseman as Stormin’ Norman, leader of an all-Black platoon in Viet Nam. They find a stash of gold bars intended for Vietnamese allies and decide to keep it. They bury it, intending to come back for it later. They do come back later, much later, after they are all over 70.

All of the films in this article are available on DVD. All but the last one are suitable for mature kids.  

                                                                   Errol Morris 

                                                                       Part 2

As promised, here is the second installment about director Errol Morris, the absolute master of the documentary. Even if docs aren’t your thing, you will not go wrong by checking out some of these. 

In The Unknown Known (2013) Morris changes gears somewhat. This film is exclusively about his interview with former Secretary of Defense Donald Rumsfeld. It is definitely not kind to Rumsfeld (nor should it be). His explanations of the Iraq war, the torture of Muslim prisoners in Cuba, and other matters are hardly inspiring. At one point he is asked why he agreed to this interview and responded “I’ll be darned if I know.” 

Standard Operating Procedure (2008) details the intent and result of photos taken at Abu Ghraib prison in Iraq. The pictures were taken not by Morris but by soldiers posted at the prison. The photos are hard to take. They portray torture and deliberate harassment of prisoners by their guards. The pictures caused an uproar in 2004 when they came to light as most Americans were not aware of what went on at the prison. Not a shining moment for our country, but a story that needed to be told. Several critics put this film in their top 10 of 2008.

Tabloid (2010) would never make it as a regular fictional film because it is just way beyond belief. Joyce McKinney was a former Miss Wyoming looking for the perfect husband. She settled on young Kirk Anderson, a Mormon on his way to his obligatory church mission. Miss McKinney followed him to England. Here the stories diverge. She says he voluntarily went with her to a cabin where they shacked up for several days. He says he was kidnaped, raped,  and held against his will. The film is largely narrated by Ms. McKinney. The other side of the story is also presented. Mr. Anderson declined to be interviewed. Ms. McKinney never married, proclaiming that Mr. Anderson was the only man she would ever love. She lives in isolation somewhere in North Carolina with her aged father and five cloned bulldogs. 

The B Side (2016) is one of those films that sounds completely boring but turns out the be completely fascinating. Elsa Dorfman, a very and interesting woman, is the subject of this movie,. She became a photographer in the 90's . She shot Alan Ginsberg, Anais Nin, Andrew Wylie and other famous people But her best work is photos of ordinary people, hence the title. She is on board to narrate most of the film and does so quite winningly. Her use of the large 20x24 Polaroid camera is a good story in itself. 

A serendipitous event occurred when I remembered Errol Morris directed American Dharma (2018). It is about his in depth interview with one Steve Bannon back before he got indicted. It is interlaced with movie clips and Bannon’s take on them and on then-current events for far right  Breitbart news. 

All of the films in this article are available on DVD. All are for adults. 

                                                       ERROL MORRIS

                Part 1

The best director of documentaries now working is someone you may never have heard of: Errol Morris. His method is simplicity itself. Find an interesting subject, give him a mike, point the camera at him and get out of the way. 

The Thin Blue Line (1988) is a marvel, a landmark film which is generally credited for saving an innocent man from execution. Morris delves into a cop killing in Texas and slowly but surely reveals the truth. This is not to be missed!

Gates of Heaven (1978) is about a pet cemetery in Southern California (where else?). Alternately touching and funny, it presents the pet owners and the cemetery owners, warts and all. This is a genuine slice of Americana. 

There are four stories in Fast, Cheap and Out of Control (1997), all of them way off the beaten path. Presented are a topiary gardener, an expert in blind mole rats, a lion tamer and a robot scientist. All are completely devoted to their particular fields, all are completely fascinating (and terminally weird!) 

And speaking of weird, it would seem from Vernon, Florida (1988) that the town had a strangeness convention and the attendees decided to live there. There is a couple who believes that sand grows, a besotted turkey hunter, and various other bizarre people. Mr. Morris makes this work- he never condescends or interferes.

Former Secretary of State Robert McNamara is the subject of The Fog Of War (2003) in which he discusses his role in the Vietnam War, the Bay of Pigs crisis, and other foreign entanglements that occurred during his time at Foggy Bottom. And Mr. McNamara (85 when the film was made) does a rather good job holding his own. It sounds boring but decidedly is not. And it won Morris his only Best Director Oscar.

Mr. Death (1999) is Fred Leuchter, an expert in execution devices (gas chambers, electric chairs, gallows and lethal injection machines). As if that weren’t strange enough, he is hired to prove there was no Holocaust, and tries to aid that cause. Not recommended for everyone, but strangely fascinating.

Physicist Steven Hawking, the British genius afflicted with ALS, is the subject of A Brief History Of Time (1991). The film details the subject’s life as well as his explanation of cosmology so that laymen can understand it (more of less). Mr. Hawking’s life is also detailed in the biopic The Theory Of Everything (2014) directed by James Marsh. And Eddie Redmayne deservedly won the Best Actor Oscar for his portrayal of Hawking. 

This article contains roughly half of Morris’ films. Next week: the rest of them.

All of the films in this article are available on DVD. They are for grown-ups. 

                                                                 ALAN PARKER
The roller coaster career of British director Alan Parker ended with his death in London at 76. Like David Lean and Alfred Hitchcock, he made most of his films here in America. He made some big winners, some big losers and some near misses.
Bugsy Malone (1976) sounds like a terrible idea but Parker somehow whipped it into a winner. Young children play the part of gangsters, lip syncing the lines spoken by adult actors. I know, I know, it sounds awful. But it isn’t. 
Midnight Express (1978) gave Parker his first Oscar nomination for Best Director. Alas, he lost to Michael Cimino for The Deer Hunter. Featuring a bravura performance by unknown Brad Davis, the film is unremittingly dark and grim for its first hour and a half.  It is based on the true story of Billy Hayes, a young American arrested for smuggling drugs out of Turkey. Actor Brad Davis died at 41, a brilliant career cut tragically short.
Mississippi Burning (1988) is the fictionalized story of the murder of three civil rights workers in Mississippi in 1964. It stars Gene Hackman and Willem Dafoe as FBI agents investigating the incident. They are not exactly welcomed with open arms by the locals. The film garnered seven Oscar nominations, but won only for cinematography. Parker lost to Barry Levinson for Rain Man.
Shoot The Moon (1982) stars Diane Keaton and Albert Finney as the dysfunctional couple from Hell with four innocent daughters. I found it a real downer, but I guess Parker did a pretty good job directing it. 
Evita (1996) is a tantalyzing near miss. A great story of the rags-to-riches wife of Argentinian dictator Juan Peron, and a great score from Tim Rice and Andrew Lloyd Webber. And with Madonna and Antonio Banderas in the leads, what could go wrong? Well, something did.  It isn’t bad, really, but it just isn’t very good. I guess we have to hang the fault on Alan Parker, who somehow fails to get this off the ground. 
The Committments (1991), about an Irish rock band, is okay, just not to all tastes (including mine). Many critics blamed director Parker for the slow pacing and draggy dialog. 
Fame (1980) is a musical with top-heavy topics weighing it down. Actually loved by many fans, but disliked by more. A C+ for director Parker.
From there it’s pretty much downhill.. The Road To Wellville (1994) is from a really good book by T.C. Boyle about an eccentric clinic in Michigan. Though it has Sir Anthony Hopkins in the lead, it is pretty much a big mess. 
Angela’s Ashes (1999) is dragged kicking and screaming from Frank McCourt’s family memoir. It would be hard for anyone, including Alan Parker, to direct.. Finally, the really bad The Life of David Gayle (2003) is about capital punishment, sort of. It has Kevin Spacey, Laura Linney and Kate Winslett. And yet it is just unremittingly awful.
All of the films in this article are available on DVD. All are for grown-ups, who are hereby duly warned about the last three. 

                                                        WILFORD BRIMLEY

He made a nice living as a kindly, but grumpy, old man, and Wilford Brimley worked almost to the time of his death at 85. You might remember him from Quaker Oats commercials, or for his signature walrus moustache. Or maybe from some of these fine films.
The China Syndrome (1979) is still scary, with its cautionary tale about the failure of a nuclear power station. Jack Lemmon plays the station manager and Brimley is on board as Ted Spindler, a shift supervisor. When things go terribly wrong, it is Spindler who wants to shut things down and notify the public. 
In Absence Of Malice (1981) Reporter Sally Field gets suckered into printing a completely false story about union official Michael Cunningham (Paul Newman). Brimley appears as James Wells, an assistant District Attorney who does his best to settle matters down before they blow up again. 
Tender Mercies (1983) features Robert Duvall as alcoholic country singer Mac Sledge, attempting to reform as he promised  motel owner Rosa Lee, a comely widow. Duvall did his own singing and won Oscar as Best Actor for this good film. Wilford Brimley is quietly effective as the manager of country singer Dixie Scott (Betty Buckley), Mac’s ex-wife. 
The Hotel New Hampshire (1984) is faithfully adapted from John Irving’s novel. It features a wealth of unusual characters, some in the hotel owner’s (Beau Bridges) family. Too complicated for summarizing here, but I will point out that Wilford Brimley’s character, Iowa Bob, has a fatal heart attack when a stuffed dog he knows was long dead shows up at a Christmas celebration. 
Robert Redford is Roy Hobbs in The Natural (1984) a baseball fairy tale that is quite wonderful. Hobbs shows up at the New York Knights’ practice as a 40-year-old rookie, whose signing enrages manager Pop Fisher (Wilford Brimley). There are lots of shenanigans involving attempted fixes but Hobbs is unfazed and hits a legendary home run into the light standard to win the pennant. 
Wilford Brimley appears as Ben Luckett, one of the fortunate oldsters rejuvenated by trespassing in a swimming pool owned by and magically charged by aliens. Cocoon (1985) is a real charmer about the transformation of the aging men and women made young again. There’s quite a cast: Jack Gilford, Don Ameche, Hume Cronyn, Jessica Tandy and Gwen Verdon are all on board. It’s interesting that at the time of the filming, Brimley was actually about 20 years younger than the other actors, and dyed his hair and beard to fit in. BTW, the 1988 sequel sucks.
No more Mr. Nice Guy for Wilford Brimley for in The Firm (1993) he plays a law firm’s top security man who is actually their hit man. Tom Cruise, recent Harvard Law graduate, gratefully accepts employment with a Memphis law firm. He gradually discovers that the firm is crooked as a snake and involved in lots of criminal activity. 
After this, Wilford Brimley’s resume’ drops off the earth. There are lots more movies, but none of them very good. I believe this was his choice, wanting to go his own way and leaving glitzy Hollywood productions behind.  
All of the movies in this article are available on DVD. All are for adults.

                                                        Olivia de Havilland

She was sort of the Meryl Streep of the 40's with five Oscar nominations and two 
wins. She was the sister of actress Joan Fontaine (Rebecca) and they had the worst 
sibling rivalry since Cain and Abel. Olivia de Havilland lived to be 104 and if her starring 
days were way behind her, well, there were sure a bunch of them! I’m going to stick to 
to the films that got her nominated, but there are lots more.
Gone With The Wind (1939) is on everybody’s list in spite of having happy 
slaves. This movie won everything on Oscar night: Best Movie, 12 other nominations  
and 8 wins. Olivia was nominated for supporting actress and lost to Hattie McDaniel, 
who actually won from the same movie! This film was shown so much that it was 
referred to as “the Oz bowl game.” It still holds up pretty well and Olivia is very good as 
doomed cousin Melanie.
In Hold Back The Dawn (1941) Charles Boyer is a Romanian gigolo lurking in Mexico to catch a naive American woman to marry so he can immigrate. Olivia de Havilland fills the bill, a schoolteacher from America with a busload of young boys. But she marries Charles and then it gets complicated. She is badly hurt in a car wreck but he sticks with her until the, of course, happy ending. Olivia was nominated for this one but lost to her not-exactly-beloved sister, Joan Fontaine, for Suspicion.
The third time was the charm for Olivia, as she copped the Oscar for Best Actress for her part in To Each His Own (1946). After a one-night stand with a soldier, she has a child. She gives him up for adoption, then regrets it and after four years gets him back. But he wants his adoptive parents, not her, and back he goes. Then there is a very unlikely happy ending, but hooray for Hollywood!
The Snake Pit (1948) ripped the cover off the dreadful state of most mental hospitals. Olivia de Havilland plays Virginia Cunningham, who is crazy, but not that crazy. Undone by a hateful jealous nurse, she is consigned to the Snake Pit, where the worst patients are simply strait-jacketed and thrown together. But don’t worry, there is the obligatory happy ending!  Olivia was nominated for Best Actress, and she was very good but lost to Jane Wyman for Johnny Belinda. A close call, but I agree.
Olivia de Havilland copped her second Best Actress award for The Heiress (1949). And she is quite wonderful as the rather plain but rather wealthy Catherine Sloper. She is wooed by handsome gold digger Montgomery Clift. They plan to elope and she packs her bags and waits for him by the door. And waits. But he never comes. This is a truly great scene and she does it splendidly. 
Olivia de Havilland can also be seen to good effect in My Cousin Rachel (1952), Libel (1959) and Light In The Piazza (1962).
All of the films in this article are available on DVD. Though tame by today’s standards, they are adults only films. 

                                                         JANE WYMAN

        Jane Wyman died at the age of 90. She famously left, and divorced, Ronald Reagan, and many who were not fans of The Gipper’s politics proudly wore buttons proclaiming “Jane Wyman Was Right.” She actually had two careers. From 1981 to 1990 she appeared in over 200 episodes of the megahit Falcon Crest, starring as Angela Channing, regal mistress of the upscale winery. 
Her film career started in 1932, but her memorable roles were in the 40s and 50s. She won the Oscar as the heartbreakingly vulnerable Johnny Belinda (1948). This is the sort of role the Academy loves- she plays a deaf mute, the victim of a savage sexual assault. Using only her gestures and face, she truly breaks your heart. 
Ms. Wyman is even better, in my humble opinion, in Tennessee Williams’ Glass Menagerie (1950). I have probably seen a half dozen productions of this memorable play, and to me Jane Wyman is Laura Wingfield. Gertrude Lawrence is fine as her vague but hopeful mother and Kirk Douglas is good as the gentleman caller. But Ms. Wyman carries this film as the crippled, enchanting Laura. 
Billy Wilder’s Lost Weekend (1945) won everything in sight that year and still packs a punch after 70 years! It was one of the first Hollywood movies to treat a serious issue (alcoholism here) in a grown-up manner. Ray Milland sparkles as the rapidly sinking hero, and Jane Wyman is quite good as his somewhat enabling spouse. 
The Yearling (1946) is a fawn raised by the young son (Claude Jarman, Jr.) of Gregory Peck and Jane Wyman. The boy learns a bitter lesson about necessity.
Magnificent Obsession (1954) is Douglas Sirk’s soapy remake of the earlier 1935 version, and it made Rock Hudson a star. It is his fault that Jane Wyman is blinded, and he vows to become a physician so he can heal her. She is good, once again playing a woman with a severe disorder. The story is ridiculous, but after all this is Hollywood, so just go with it.
All That Heaven Allows (1955) is another Douglas Sirk potboiler with Jane Wyman as the society lady scorned by friends and family because of her love of gardener Rock Hudson. Beneath her, you know...
Jane Wyman can also be seen to advantage as Betty Rogers in The Story of Will Rogers (1952), and as an amateur sleuth in a lesser Alfred Hitchcock vehicle, Stage Fright (1950).
All of the films in this article are available on DVD. All except Johnny Belinda are really suitable for any age, keeping in mind the boredom factor for littlies.